A sort of English perpendicular gothic meets copperplate idea, I’m having fun with this one…

Screen Shot 2017-09-10 at 7.06.51 pm

The key to getting a small capitals design to work seems to be preserving the stroke weights between the two sizes of capital letter forms. Shervington is a mono-weight font- though there are some actual variations in the weights of strokes to preserve the look of a uniform weight.  It always intrigues me that such a measure is necessary. all adds to the challenge though.

Yes, I know attention is required to the kerning between ‘l-v’…


Screen Shot 2017-09-10 at 8.23.05 pm

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.