The cover of Emma. ‘s novel, ‘Brother’s Ruin’ uses the Wolverton typeface family, a Greater Albion design room several years ago.
I recently happened across a few random issues of the “London Mystery Magazine” (later “London Mystery Selection”). Interestingly, these covers seem to be a mixture of UK and US editions of the same title.
Apart from being a jolly good read, I have a certain admiration for the rather splendidly designed covers. These issues are from the 1950sand 1960s, so they were perhaps a little ‘old fashioned’ even at the time. That said, they are now, and I suspect were when published, undeniably eye-catching.
That said, they are now, and I suspect were when published, undeniably eye-catching. To me, they demonstrate that good design can easily supplant today’s glossy photographic covers and perhaps they demonstrate that being a little ‘out of time’ can actually make a piece of design more eye-catching.
Just a thought!
I think this was published a couple of years ago, but we were pleased recently to see ‘Vectis’ in use on the cover of Jim Butcher’s “The Aeronaut’s Windlass”. Must admit I’m not entirely sure what an Aeronaut does or where the windlass comes into it, but it is an impressively dramatic looking cover…
We were recently delighted to discover Rachel McMillan’s series of Herringford and Watts mystery Novels and Novellas, all set in Edwardian Toronto, and making most appropriate use of the Great Bromwich typeface family on their covers… Would like to add, they’re a splendid read too!
Another sighting in the wild. Wolverton used, rather appropriately I feel, for the lettering on the cover of Joy Callaway’s ‘Fifth Avenue Artists Society.’
We can thoroughly recommend the article “20 inspirational Penguin book cover designs” published by on July 30, 2013. Well worth a look for anyone with an interest in design or typography.
We just spotted Great Bromwich Bold providing the typeface for the title on this 80th anniversary omnibus edition of P.L. Travers’Mary Poppins stories. An eminently suitable typeface for the purpose, we feel.
The cover of Lawrence James’s “Empires in the Sun” (Weidenfeld & Nicholson, 2016) makes splendid use of the Thurbrooke typeface.